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Abstract

The debate in architectural theory and criticism of the past decade has centered around reintegration of a supposed lack of symbolic content in architectural form through, to a large part, a repudiation of its most recent legacy, the Modernist period and specifically the stylistic imperatives of its most obvious manifestation, the International Style.

Creative Commons License

Creative Commons License
This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License.

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