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Authors

Keywords

Anne Fuchs, Mary Cosgrove, Georg Grote, German Memory Contests: The Quest for Identity in Literature Film and Discourse since 1990, Helen Cafferty, Herschel Farbman, The Other Night: Dreaming Writing and Restlessness in Twentieth-Century Literature, Sidney Feshbach, Richard Neupert, A History of the French New Wave Cinema, Candice Nicolas, Dianne Marie Zandstra, Embodying Resistance: Griselda Gambaro and the Grotesque, James Gustafson, Matthew J. Marr, Postmodern Metapoetry and the Replenishment of the Spanish Lyrical Genre 1980-2000, John Wilcox, Gail A. Bulman, Staging Words Performing Worlds: Intertextuality and Nation in Contemporary Latin American Theater, Patricia Tomé, Alex E. Blazer, I Am Otherwise: The Romance Between Poetry and Theory after the Death of the Subject, Salah Khan, Marcelline Block, Situating the Feminist Gaze and Spectatorship in Postwar Cinema, Marzia Caporale

Abstract

Anne Fuchs, Mary Cosgrove, and Georg Grote. German Memory Contests: The Quest for Identity in Literature, Film, and Discourse since 1990 by Helen Cafferty

Herschel Farbman. The Other Night: Dreaming, Writing, and Restlessness in Twentieth-Century Literature by Sidney Feshbach

Richard Neupert. A History of the French New Wave Cinema by Candice Nicolas

Dianne Marie Zandstra. Embodying Resistance: Griselda Gambaro and the Grotesque by James Gustafson

Matthew J. Marr. Postmodern Metapoetry and the Replenishment of the Spanish Lyrical Genre, 1980-2000 by John Wilcox

Gail A. Bulman. Staging Words, Performing Worlds: Intertextuality and Nation in Contemporary Latin American Theater by Patricia Tomé

Alex E. Blazer. I Am Otherwise: The Romance Between Poetry and Theory after the Death of the Subject by Salah Khan

Marcelline Block. Situating the Feminist Gaze and Spectatorship in Postwar Cinema by Marzia Caporale

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Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License
This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License.

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