Frequent references to musical terms in Barthes's writings since 1970 suggest a progression beyond a standard semiological inquiry. A text on the «grain» of the voice, another on música practica, and a third on Romantic song develop a model of figuration Barthes explores actively in the Fragments d'un discours amoureux (A Lover's Discourse) and La Chambre claire.
Creative Commons License
This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License.
"A Musical Note,"
Studies in 20th Century Literature:
2, Article 10.