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Abstract

In his 1968 Artforum article entitled “A Sedimentation of the Mind: Earth Projects,” Robert Smithson introduced dialectics and entropy as the conceptual and operative agendas for himself and a group of artists actively engaged in both the natural and the man-made environment.

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Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License
This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License.

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