Article Title
Abstract
The following is excerpted from a telephone interview with Zaha Hadid.
Work began with a shipwreck. It started with a premise that the modern projects have yet to begin. In the earlier times, the reference to the Russian avant garde was a very important beginning, not because of the Russian exuberance and dynamics, but because of the Russian's implications that architecture should be injected with a program.
Creative Commons License
This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License.
Recommended Citation
Hadid, Zaha
(1987)
"The Calligraphy of the Plan,"
Oz:
Vol. 9.
https://doi.org/10.4148/2378-5853.1140
