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Abstract

The debate in architectural theory and criticism of the past decade has centered around reintegration of a supposed lack of symbolic content in architectural form through, to a large part, a repudiation of its most recent legacy, the Modernist period and specifically the stylistic imperatives of its most obvious manifestation, the International Style.

Creative Commons License

Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License
This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License.

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