Volume 35 (2024)
Number 1
Environmental & Architectural Phenomenology Vol. 35, No. 1 (This winter/spring issue provides four book reviews and three essays: Cognitive scientist Andrea Hiott reviews psychotherapist Iain McGilchrist’s The Matter with Things; Architect Susan Ingham reviews Lisa Heschong’s Visual Delight in Architecture; Anthropologist Jenny Quillien reviews architect Howard Davis’s edited collection of Early and Unpublished Writings of Christopher Alexander; EAP editor David Seamon reviews Christopher Alexander’s Production of Houses; Architect Howard Davis reports on a recent event celebrating Alexander’s Mexicali self-help housing experiment; Architect Gary Coates provides the new preface to his recently reprinted Resettling America, originally published in 1981; Philosopher Jeff Malpas offers remarks for a memoriam event devoted to the late Bob Mugerauer, a co-founder of EAP; Anthropologist Jenny Quillien introduces a phenomenological reformulation of the ideas of early-twentieth-century geographer and environmental determinist Ellen Churchill Semple.)
Number 2
Environmental & Architectural Phenomenology Vol. 35, No. 2 (The summer-fall 2024 issue of ENVIRONMENTAL & ARCHITECTURAL PHENOMENOLOGY celebrates 35 years of publication and includes the following items: Philosopher Ingrid Leman Stefanovic provides a celebratory commentary on 35 years of EAP. EAP editor David Seamon draws on philosopher Paul Ricoeur’s “hermeneutics of restoration of meaning” as one thematic means to identify EAP’s major aim over the years. Geographer Edward Relph considers artificial intelligence as it might be critiqued via the thinking of philosopher Hannah Arendt and her insights on modernity’s invention of totalitarianism. Philosopher Kenn Maly examines the phenomenon of water via the four qualities of substance, flow, non-duality, and freedom. Chinese geographers Xu Huang and Zichuan Guo offer an ethnographic picture of Chengdu, China’s He-Ming Teahouse, opened in 1923. Artist and writer Vicki King considers how the paintings of Canadian-American abstract-expressionist artist Agnes Martin “evoke sensual memories of New Mexico.”)
