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Keywords

García Márquez, ideology, science, romanticism, anachronistic, fin de siècle, modernity, marginality, Colombian literature

Abstract

The two male protagonists of García Márquez's novel, Dr. Urbino and Florentino Ariza (whose lives are linked by their relationship to Fermina Daza), enact to the limit nineteenth century ideologies of scientific progress and romanticism. The anachronistic plot of romantic love taken to the point of parody is deployed by the author as a critique of fin de siècle modernity.

Creative Commons License

Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License
This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License.

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