NPP > JOURNALS > STTCL > Vol. 26 > Iss. 1 (2002)
Article Title
From War Films to Films on War: Gendered Scenarios of National Identity—The Case of The Last Metro
Abstract
If France's ongoing struggle for self-definition in the late twentieth century involved new conceptions of citizenship and nationality, in short what it means to be French, this struggle also entailed the search for an accurate portrayal of a past in which France could recognize itself...
Creative Commons License
This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License.
Recommended Citation
Hewitt, Leah D.
(2002)
"From War Films to Films on War: Gendered Scenarios of National Identity—The Case of The Last Metro,"
Studies in 20th Century Literature:
Vol. 26:
Iss.
1, Article 6.
https://doi.org/10.4148/2334-4415.1520
