Volume 42, Issue 2 (2018)
Introductory Materials
Articles
The Anti-Orpheus: Queering Myth in Ducastel et Martineau’s Théo et Hugo dans le même bateau (Paris 05:59)
Todd W. Reeser
Experimental Writing, Experimental Reading
Warren Motte
The Ethics of Citation in Patrick Modiano’s Dora Bruder and Georges Perec’s W ou le souvenir d’enfance
Roderick Cooke
Reframing Jewish Forms of Speaking to God: The Use of Apostrophe in David Rosenmann-Taub’s Cortejo y epinicio
Raelene C. Wyse
Book Reviews
Paulina Palmer. Queering Contemporary Gothic Narrative 1970-2012. London: Palgrave Macmillan, 2016.
Tanya Gonzalez
Hester Baer and Alexandra Merley Hill, eds. German Women’s Writing in the Twenty-First Century. Rochester: Camden House, 2015.
Brigitte Rossbacher
Emilio Peral Vega. Pierrot/Lorca: White Carnival of Black Desire. London: Tamesis, 2015.
Enrique Álvarez
Andrea Goulet. Legacies of the Rue Morgue: Science, Space, and Crime Fiction in France. Philadelphia: U of Pennsylvania P, 2016.
Kelsey B. Madsen
Javier García Liendo. El intelectual y la cultura de masas. Argumentos latinoamericanos en torno a Ángel Rama y José María Arguedas. West Lafayette: Purdue UP, 2017.
Fernando Fonseca Pacheco
David Ohana. Albert Camus and the Critique of Violence. Trans. David Maisel. Brighton: Sussex Academic Press, 2017.
Melissa Ptacek
Paul Cuff. Abel Gance and the End of Silent Cinema: Sounding Out Utopia. Palgrave Macmillan, 2016.
Margaret C. Flinn
Sylvie Blum-Reid. Traveling in French Cinema. New York: Palgrave Macmillan, 2016.
Anne V. Cirella-Urrutia
Kathryn A. Kleppinger. Branding the 'Beur' Author: Minority Writing and the Media in France, 1983-2013. Liverpool: Liverpool UP, 2015.
Christopher Ice
Jarrod Hayes. Queer Roots for the Diaspora: Ghosts in the Family Tree. Ann Arbor: U of Michigan P, 2016.
Annie de Saussure
Lucille Cairns. Francophone Jewish Writers: Imagining Israel. Liverpool: Liverpool UP, 2015.
Alessandra Benedicty-Kokken
Nicole Simek. Hunger and Irony in the French Caribbean: Literature, Theory, and Public. New York: Palgrave Macmillan, 2016.
Jennifer Boum Make