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Keywords

Hölderlin, Walter Benjamin, poetic language, lyric, das Gedichtete, graphics, Gestalt

Abstract

The paper reconstructs the argument of Benjamin's early Hölderlin essay, with special emphasis on the notion of das Gedichtete. This notion is shown to name a fundamental dissonance between two semiotic modalities, graphics and Gestalt.

Creative Commons License

Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License
This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License.

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